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Reno-Sparks, NV
2941 Sage Ridge Drive
Nevada, 89509
Tel.
775-827-8767
Fax
775-827-0862
Email
Chicago, IL
53 West Jackson Blvd
Suite 915
Illinois 60604
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Naperville, IL
608 South Washington Street
Suite 210
Illinois 60540
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Tel.
630-789-9767
Fax
630-789-9762 |
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Long & Chybik - Patent & Intellectual Property Attorneys
Copyrights are an exclusive federal legal rights which protect an
author/artist's expression of an idea. In order to receive these
rights the person seeking copyright protection must be the creator of an
"original" expression which must be "fixed in a tangible
form" (placed into some sort of media: paper, stone, canvas, data
disk).
The Copyright Act provides that a
copyright exists "in original works of authorship fixed in any
tangible medium of expression, now known or later developed, from which
they can be perceived, reproduced, or otherwise communicated, either
directly or with the aid of a machine or device."
A work is considered to be "fixed" when it is in a form
"sufficiently permanent or stable to permit it to be perceived,
reproduced, or otherwise communicated for a period of more than transitory
duration."
To be original an "author must have
engaged in an original activity of creativity".
Copyright is a very viable protection form for business and the materials
that they create. This is especially true for software.
Copyrights should not be confused with patents. The two formats
offer different types of protection, protect different subject matter and
are obtained in entirely different ways. Simplistically speaking,
unlike patents, copyrights
do not protect the idea itself but only how a person expresses that idea.
In case your mind is racing to make a distinction, don't ask what is an idea and
what is an expression of that idea or how these two are properly
distinguished. The answer to this question sometimes requires a
great deal of analysis and involves the particular factual scenario
associated with the subject matter. Be satisfied that this answer
can only be provided on a case-by-case basis.
Duration of Copyrights
Due to the lengthening of the term of copyright protection from the 1909
Act, 28 years plus 28 years renewal, to the 1976 Act, life of the author
plus 50 years, a number of various scenarios developed. The
duration of a copyright under the Copyright Act of 1976 depends upon what
the status of the work was on the effective date of the Act, January 1,
1978.
 | If the work was in the public domain
under the 1909 Act, then the work remains in the public domain.
 | If the work was in its initial 28 year
term under the 1909 Act, then the copyright will expire at the end of
that term unless renewed via a timely application. If renewed,
the term will last for 47 years. Thus works copyrighted as
recently as 1977 must be renewed by the year 2005.
 | If a work was in its renewal term under
the 1909 Act, they are automatically accorded an extended term of
protection lasting 75 years from the date that the copyright was
originally secured.
 | If a work was created on or after
January 1, 1978, then protection will last the life of the author plus
50 years. |
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 | If a work was created prior to January
1, 1978, but was unpublished as of that date, its copyright protection
will last the life of the author plus 50 years. However, in no
instance will the copyright for a work in this category expire before
December 31, 2002; and if the work is published on or before December
31, 2002, then protection will not expire before December 31, 2027. |
The copyright for a joint work lasts for
the life of the last surviving author plus 50 years.
The copyright for a work for hire is a
terms of 75 years from the date of first publication, or a term of
one hundred years from the year of its creation, which expires first.
Works created anonymously or pseudonomously are given a duration of 75
year after first publication or 100 years after creation, whichever
expired first.
The Rights
under Copyright
The Copyright Act gives the owner of the copyright the exclusive
rights to do and to authorize any of the following:
 | Reproduce the copyrighted work
(applicable to all categories of copyright)
 | Prepare derivative works based upon the
copyrighted work (applicable to all categories of copyright)
 | Distribute copies or phonorecords of the
copyrighted work to the public (applicable to all
categories of copyright)
 | Publicly perform the work (limited
to certain categories of copyrights)
 | Publicly displaying the work
(limited to certain categories of copyrights) |
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Not only is the copyright owner given the
exclusive right to do the above actions, but also, to authorize others to
do them. These rights last only so long as the duration of the term
for the particular type of copyright at issue.
Moral
Rights
Moral rights are additional rights under
copyright which pertain primarily the visual arts. Only the creator artist
is entitled to hold the following rights:
The creator artist may claiming authorship in the work in order:
 | To prevent use of her name as the author
of works she did not create
 | To prevent use of her name as the author
of her own work if the work has be distorted, mutilated or otherwise
modified so that the use would be prejudicial to her honor or
reputation
 | To prevent any intentional distortion,
mutilation or other modification of her work which would be
prejudicial to her name or reputation
 | To prevent the intentional or grossly
negligent destruction of the work if it is of recognized stature |
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Derivative Works
A derivative work is a work which is based upon and derived from one or
more pre-existing original works. Derivative works recast, transform
or adapt one or more pre-existing works.
A movie or a musical derived from a book are typical examples of
derivative works. Translations, abridgments, annotated
editions, art reproductions, sound recording, dramatizations are all in
this category.
Producing a work which is substantially similar to the original is to set
the basis for an infringement suit.
It is the owner of the copyright who has
control over derivative works.
Compilation
Compilations may receive copyright protection.
A compilation consists of pre-existing materials, which may or may not
have been the subject to copyright, that have been selected and arranged
into one format. Thus the author of a compilation may not have
created any of the materials organized under the compilation.
However, the author of a compilation, (directory, anthology, database), is
accorded copyright protection because the legislature recognized the
effort, time and expense that the compilation author expended in
construction the work.
Even with these allowances, compilations are still required to provide a
minimal level of creativity in order to be eligible for copyright
protection. An example of a compilation which is not sufficiently
creative to be accorded a copyright is the telephone white pages which is
simply an uncreative alphabetical listing of peoples' names.
However, the Yellow Pages which is creatively divided into goods and
services categories, does receive copyright protection.
Government Works
Any work created by the United States Government cannot receive copyright
protection. However, the United States Government is allowed
to receive and to hold, with all accompanying rights, copyrights which are
transferred, assigned, gifted or otherwise to it by others.
Useful Articles (PGS - Pictoral, Graphic, Sculptural)
Are works which possess a utilitarian element or elements.
Utilitarian elements are not eligible for copyright protection.
Officially, a useful article is defined as an "article having an
intrinsic utilitarian function that is not merely to portray the
appearance of the article or to convey information." (Section 101).
In order to receive copyright protection a
useful article must have utilitarian elements which are separable
(physically or conceptually) from the expressive, copyrightable elements.
The issue of what is separable and what is not is often a very grey one
and is sometimes decided by the courts.
"What happens when someone tries to copyright something
which is both useful and decorative like a fancy wooden chair?"
What happens is an attempt to separate from
the utilitarian functions of the chair, the artistic elements. The
artwork embodied in the wooden sculpting of the chair's back or legs would
be copyrightable while the chair itself would not be protected under
copyright. (Section 101).
Copyright Ownership
Copyright ownership may be in one of several formats. While
Copyright ownership normally is straightforward and self-evident, it may
become less clear when it involves an employer/employee relationship.
Works for Hire
Works for hire are works which were created within the scope of
employment. Works which are created within the scope of employment
will belong to the employer and not to the artist/author that created
them.
There are two methods in which a work may
be considered a "work for hire." First, if the work
was prepared by an employee in the course of employment and second, works
created by independent contractors. Unless an employee is very
careful to keep the act of creation entirely separated from the employer's
materials, equipment and time, the work will usually be
classified as a work for hire. Typically, the more
sophisticated businesses will set forth copyright ownership provisions in
their employee contracts and handbooks.
Independent contractors if:
1) the parties have expressly contracted
that the work be considered a work for hire; and
2) if the work is one of the following:
 | A contribution to a collective work;
 | A part of a motion picture or other
audiovisual work;
 | A translation;
 | A supplementary work;
 | A compilation;
 | An instructional text;
 | A test;
 | Answer material for a test;
 | An atlas. |
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Individual ownership is the type of
ownership most frequently associated with Copyrights. This ownership
involves only one creator or author to whom the Copyright belongs.
Joint works are works that are prepared by more than one author with the
intent that the separate contributions should be melded into one unitary
work.
In order to qualify as a co-owner, the
co-owner must have contributed something to the expression of the work.
If the person contributed the idea or paid for its creation, these types
of contributions are insufficient to make this person a co-author.
Collective
Works
A collective work is a work in which a number of separate and independent
works are combined to form a unified, collective whole. Examples of
collective works include anthologies, encyclopedias, journals, and manuals
compiled from seminars.
The author of each separate component, absent a transfer of copyright in
writing, is the owner of the copyright in that separate component.
Transfer of Ownership
Renewal of
Copyrights
The Copyright Act of 1976, as
can be seen in the preceding section concerning the duration of
copyrights, preserves and enhances certain aspects of the Copyright Act of
1909. Under the 1909 Act, the creator received a term of protection
of 28 years. This term could be renewed and a new period of 28
years protection enjoyed. Since the 1976 Act was enacted while
copyrights from the 1909 Act were still enforce, the 1976 made provisions
for copyright renewals.
Copyright Infringement (Section 501)
Copyright infringement
occurs when anyone violates any of the exclusive rights given by the
Copyright Act to the copyright owner.
In order to prove infringement, it must be shown that the defendant
copied, or had the capacity to copy, the plaintiff's copyrighted work and
that the copying was extensive enough to constitute improper appropriation
of the copyrighted work.
Various forms of infringement exist
including: Direct Infringement,
Contributory Infringement and
Vicarious Infringement.
Defenses to Infringement
Some of the defenses to copyright infringement are invalidity of the
copyright and the fair use defense.
Fair use is a statutory provision which allows the reproduction of
copyrighted materials for specific uses which might otherwise constitute
copyright infringement. The exemptions under fair use are limited to
the purposes of criticism, comment, news reporting, teaching (including
multiple copies for classroom use), scholarship, or research. This
list is not an exhaustive listing of possible fair uses.
The fair use defense is the most commonly used defense to infringement.
Some examples of uses that are found to be fair are for purposes such as:
criticism, comment, news reporting, teaching, scholarship, or research.
This list is not an exhaustive but an inclusive one. Just stating that the
use falls under one of the fair use categories is not sufficient.
Remedies to Infringement
The following is a list of potential remedies to copyright infringement.
The remedies applied is dependent upon the facts of each case.
 | Injunctive relief, both temporary and final;
 | Actual damages and profits;
 | Reasonable attorneys fees;
 | In the case of willful infringement, criminal
penalties;
 | Seizure and destruction of infringing articles. |
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The Copyright Notice
In the United States copyright notice is no longer required to be affixed
to works in order to claim and preserve copyright ownership.
Internationally, copyright is governed by international agreement and
treaty and many countries still require the affixing of the "c in the
circle" symbol as well as the year of creation, the name of the
author and the statement "all rights reserved." It is
recommended that, where feasible, all works carry these markings
especially if they are to be posted on the Internet.
The © Symbol
Copyright notice consists of four separate elements:
 | The word "copyright" which may also be
abbreviated as "copr." or "©";
 | The year of the first publication;
 | The name of the owner of the copyright; and
 | The statement "All rights reserved." |
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Prior to 1989, authors who published their works without
the copyright notice lost their copyrights. The loss of copyright could be
cured only if one of the following occurred:
 | If only a small number of copies were distributed
to the public without notice/
 | If the owner registered the copyright with the
Copyright Office within five years of the public distribution and
the owner makes reasonable efforts to place notice on the
distributed copies
 | If the omission of the copyright notice were in
violation of a contractual agreement by the owner that the
copyright notice be included as a condition of authorizing the
public distribution. |
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International Notice
Although after 1989, the
United States no longer requires notice, international protection does
require notice including the "All rights reserved" statement.
Therefore, a safe practice is to submit all copyrighted materials with the
name of the owner, the year of the first publication, the copyright symbol
and the statement "all rights reserved."
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